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News Archives 2006 - December

CBMM Acquires Robert Burgess Collection
ST. MICHAELS, MDThe Chesapeake Bay Maritime Museum announced
its acquisition of the Robert H. Burgess collection. Burgesss
collection is believed to be the largest and most comprehensive
private collection of Chesapeake maritime artifacts. Its acquisition
strengthens the Museums already significant collection of
Bay artifacts, photographs, and vessels.
This is the most important acquisition in the history of the
Museum, says CBMM curator Pete Lesher. Our interest
in the Burgess collection dates back to the beginning of the organization,
when founder Vida Van Lennep courted Bob Burgess in hopes of bringing
him or his collection to St. Michaels. Its been a long time
in the making.
Lesher cited the scope and documentation of the Burgess collection
as primary reasons for its significance.
What makes the Burgess collection so extraordinarily valuable
is how well documented it is, says Lesher. For a museum,
the importance of these types of objects is their context, which
Burgess documented meticulously. So many artifacts lose their context,
their story, when they go through the marketplace.
Robert H. Burgess (1913-2003) was born in Baltimore, Maryland, the
son of a Bay sailor and steamship engineer. After graduation from
Baltimore City College, he shipped out for three months on the four-masted
schooner Doris Hamlin, taking photos of this vessel and other
Chesapeake bay sailing craft and steamboats. He joined the staff
of the Mariners Museum, in Newport News, Virginia, in 1941,
and except for a wartime tour of duty on a destroyer escort in the
Pacific, remained with the museum until his retirement. Burgess
published numerous books and articles on the Bay, and was known
as the Dean of the Chesapeake. He also served as a member
of the Board of Governors of the Chesapeake Bay Maritime Museum.
At the heart of the collection is a group of about 100 nameboards
and trailboards, in addition to billetheads, figureheads, and other
carvings from Chesapeake Bay schooners, pungies, bugeyes, and skipjacks.
These range from simple utilitarian nameboards from cross-bay ferries
to elaborate trailboards with patriotic and floral motifs carved
in high relief. Burgess purchased or salvaged these items from bay
vessels at the end of their working years along with interesting
pieces of hull, rigging, and ironwork.
The level of documentation for these items is remarkable, with tags
identifying the vessel of origin and other details. Burgesss
collection of photographic prints, which are also part of this collection,
further support the documentation of these objects. He often photographed
the hulks at the time that he salvaged artifacts from them, and
each print is labeled in pencil. His collection also shows the fruits
of his partnership with Baltimore artist Louis Feuchter, with a
large portfolio of the artists sketches and paintings, as
well as hundreds of prints from Baltimore pictorialist photographer
A. Aubrey Bodine.
Private collections like the one that Burgess amassed could support
a stand-alone museum on their own. Its addition to the Museums
collection, though, is a natural fit.
The scope of the Burgess collection so neatly meshes with
what the Museum already has, as well as with the scope of what we
are trying to collect, says Lesher. It couldnt
have found a better home.
CBMM President Stuart Parnes added: We are honored that Bob
Burgesss children, Janet Burgess Loyd and R. Bruce Burgess,
want to have their fathers collection reside at CBMM. The
collection itself is magnificent, but it cannot be separated from
Bob Burgess the man and consummate collector. Both Bob and his legacy
have indeed found a good home.
The Museum is in the process of developing a new exhibition to display
key parts of the Burgess collection, as well as related programs,
including a March lecture series focused on the passion of collecting.
The exhibit will be open to the public later this winter.
On-going funding for this acquisition comes from generous contributions
of CBMM members and friends, including a $100,000 challenge grant
from the Grayce B. Kerr Fund, Inc. of Easton, Maryland. John R.
Valliant, President of the Fund (and former President of CBMM),
knew Bob Burgess well. Bob was a collectors collector.
His house was filled with invaluable Chesapeake artifacts, and he
knew the stories behind every one of them. They were like family
to him. The Grayce B. Kerr Fund is pleased to make this challenge
grant to encourage others to support a critical strategic acquisition
in the Museums history.
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